May 24, 2011

The Room

 Duncan @ Cinema 21

Have you ever seen The Room?  It's trash of the highest caliber.  Within the first few minutes of the film, the very concept of "taste" collapses upon itself like a dying star, leaving the audience to gaze in wonder at the cinematic black hole unfolding before their very eyes, crushing all preconceptions of what makes a "good" movie.  In this stuttered disruption of space/time, up is down and bad is good and people throw spoons at the screen in a vain attempt to repel the onslaught of insanity. Underwear is lost and by the time a group of tuxedo-clad movie buffs start tossing around a football in solidarity with the characters, it becomes apparent that this absolutely horrendous, incompetent film, a film that may very well have been made to launder drug money, has become one of the most beloved movies of it's time.

 Tommy Wiseau @ Cinema 21

This is Tommy.  He's the director, writer, producer, executive producer, and star of this terrible, terrible movie.  At a recent screening of The Room, he signed numerous body parts (faces included), head-locked some poor schmo, and almost got hit by a car while playing football in the middle of a busy intersection.  This was all within ten minutes of his arrival; the man wastes no time!  By the twelth minute a cop was hassling him.  By the thirteenth minute he was back in the street trying to explain the proper way to throw a football.  The highlight of the night, however, came later during the Q & A when he made a shocking revelation of his recent discovery of bisexuality and claimed that the only difference between dating a man or a woman is "the sounds they make when they go to the bathroom".   

   
Kimi (as "Lisa") & Celso (as "Johnny")

Tommy is a cult of personality.  He is a bit deranged, but a total chaos angel.  The man's certainly a far cry from the wooden characters he unleashed onto the big screen.  The couple pictured above have adapted the look of The Room's main characters "Johnny" (the doting, tortured boyfriend) and "Lisa" (Johnny's sociopathic "future wife").  It's a sordid affair that ultimately destroys them both in the most hackneyed way possible, while invoking the age old cliche:  Love is blind.  It truly is a trainwreck for the ages.     

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